One Piece Nami Golaja

eulogy by Olaf Mierau

First there was the "stamps": thousands of small colored mini-art natural underwater sperm, weightless narrative. A picture - a year. "Stamp", because it was the final image as a stamp from the block and tore the perforation.

That was about 1985, after a political science degree and 68igern in Munich, the journalist with a private press in Bonn, the press officer in Munich, the first women's community and all the stories and influences, from that time, the associated before and after. In her new life, she moved to oil and landscapes, sometimes even seemingly abstract, their harmony and, above all gave back peace.

thousands layers in three dimensions, an image - a year. The motives which in real life did not exist. Your "Sea Pieces", which should always say that word show, always the sea and the sky, just like his hinbekommt only nature itself: Surreal, sonorous harmony, thoughtful, searching, questioning, talking, involuntarily. An almost obsessive maritime self-therapy, which she had become addicted to the workaholic.

managed about three years ago it, show your pictures and sell it under great pain of separation. Their works are out of date during the course. Perhaps this is due to the Franconian farm of the 17th Century, at which they begin their sea images.

You can hear them, see them every day and from every different light, they also tell the pictures below, if you listen closely. You may participate in them in the truest sense of the word please and always find his peace.

Pilladas En La Calle Vids

Waischenfeld

Simple Motorbike Birthday Cake

exhibition in the world through the hands of two artists

Both are active members of the Kunstverein SPECTRUM, fine arts district Roth. Roswitha Hell and Gertraud Schmidbauer - two very different personalities, who tread in their art very different ways. One stands out by its intense engagement with the medium of clay, the other old masters perfected a mastery of painting. To join the sculptures of Roswitha Hell is still stone sculpture, Lehmrelief and design jewelry. Gertraud Schmidbauer, however does not focus only on the painting itself, her paintings are also dedicated to a very narrow topic.
Is there a joint exhibition of two visual artists a random set or is there more in common than just their club membership SPECTRUM?
At first glance, linking the work of two artists, a surprisingly fast gripping the observer effect. If it is "happy" art? Yes - well. Both Hölles convince and Schmidbauer's exhibits - once - with an open, speaking very beautiful. People are happy with the views of this work, coming along but not simplistic or just-decorative, but at first glance not very enigmatic. At second glance, however, reveals a depth in the works of two artists, referring to one of the great potential of art: Here is accessible by artistic means the world, developed the world and what may lie behind it yet.
By the Roswitha Hell and Gertraud Schmidbauer get together, they manage a real world-embracing view of things, they meet as a team but from the four elements: The universe of the ceramist connects through material and manufacturing process, earth and fire, the landscape views, and especially the seascapes completed by Gertraud Schmidbauer this with lots of air and water, a unifying overlapping results in the element earth. So it remains a little longer with his thoughts and feelings in this artistic double design, opens up sich einem schnell jenseits der anfangs gemutmaßten Beliebigkeit des schönen Scheins das Ineinandergreifen und einander ergänzen dieser Kunsträume, die gerade zusammen ein welterklärendes Ganzes erreichen, das weit über die Summe der einzelnen Exponate hinausreicht.
Die Elemente, also die Welt, stellen beide Künstlerinnen zum Diskurs. Ist sonst nichts als eben die Elemente, oder laden Luft, Erde, Feuer und Wasser gerade dazu ein, nach dem zu suchen, was erschuf, was verband und verbindet? Auch bei gegenständlichen Ausflügen von Roswitha Hölle oder der sehr realistischen Naturschilderung Gertraud Schmidbauers öffnen sich die Farben und Formen bei einer gewissen Betrachtungsausdauer zu einer gedanklichen Projektionsfläche, to feel and to fill the role makes to the exhibition visitors. Both artists ultimately a charge for mediation. Her works show a "something", meaning the same time always on "(much) more", which lies behind it. Ultimately brings the two of them non-intrusive, sometimes even more so here put forward the invitation to travel to the basis of artistic contention on a search for meaning, so the search absolutely!


ANDREAS FRIEDRICH